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Saurabh
Posted: Sun Apr 20, 2008 7:02 pm
Guest
Below, I have a written a few questions and thoughts that occurred to
me.

Chinese room thought experiment and music : does playing a memorized
piece of music correctly, imply that the musician who plays it
understands it ? What does it mean to understand a piece of music ? To
know its constituent notes/meter, their emotional import, or to know
the structure/form of the entire piece of music & the emotional
import thereof, or the structure/form or emotional import of
combination of
sub-structures/sub-forms of the piece of music ? [or above means
'inclusive or'].

Perception and music : To identify/know intervals of frequencies is
to know relative pitch. How do we recognize tunes without being able
to
identify intervals of frequencies explicitly ?

Analogy : Looking at a (black and white)/color picture of a person,
we
can identify the person. Identification of tunes by most of us is
like
seeing the person in black and white (analogical to having a
subconscious/subjective sense of relative pitch) whereas to see a
person in color is analogical to having a sense of absolute pitch.
Why is color perception common and absolute pitch perception rare ?


Recognition of ragas : how do people without an explicit objective
sense of relative pitch identify ragas ? How do people relate to music
emotionally ?

Why people differ on preferences in music ?

Relationship between timbre and viscosity ? - (santoor - water;; sarod
- honey , sitar - juice)


Timbre, volume and their emotional correlates ?
Joachim Pimiskern
Posted: Wed Apr 23, 2008 3:10 am
Guest
"Saurabh" <saurabhmittal1979@gmail.com> schrieb:
Quote:
Below, I have a written a few questions and thoughts
that occurred to me.

A couple of articles on the relationship
between music and speech, and related stuff.

http://www.bioedonline.org/news/news.cfm?art=1016
http://arxiv.org/abs/cs.CL/0406015
http://www.eurekalert.org/pub_releases/2007-05/du-eto052407.php
http://today.uci.edu/news/release_detail.asp?key=1554
http://www.sciencedaily.com/releases/2007/05/070524145005.htm
http://www.sciencedaily.com/releases/2002/12/021213062832.htm
http://www.sciencedaily.com/releases/2005/04/050425202958.htm
http://www.sciam.com/article.cfm?id=perception-of-musical-pit
http://www.eurekalert.org/pub_releases/2007-09/gumc-tat092707.php
http://www.eurekalert.org/pub_releases/2006-04/uoc--tba042106.php
http://www.eurekalert.org/pub_releases/2005-11/uoa-bcm110805.php
http://www.eurekalert.org/pub_releases/2006-02/cmu-cms022306.php
http://www.newscientist.com/article/dn10112-birds-tune-in-to-keep-their-songs-note-perfect.html

Regards,
Joachim
Saurabh
Posted: Sat Apr 26, 2008 2:21 am
Guest
On Apr 23, 1:10 pm, "Joachim Pimiskern" <JoachimPimisk...@web.de>
wrote:

Thanks Joachim. I liked the articles you've sent on speech, music and
their neural correlates.
Do you have any on aural/visual perception as well ?
Regards,
Saurabh
Joachim Pimiskern
Posted: Sun Apr 27, 2008 7:03 am
Guest
Hi Saurabh,

Saurabh schrieb:
Quote:
Do you have any on aural/visual perception as well?

sure:
http://www.augos.com/temp/Temp_AuditoryPerception.html
http://www.augos.com/temp/Temp_VisualPerception.html

Regards,
Joachim
Saurabh
Posted: Sun Apr 27, 2008 5:44 pm
Guest
On Apr 27, 5:03 pm, Joachim Pimiskern <JoachimPimisk...@web.de> wrote:
Quote:
Hi Saurabh,

Saurabh schrieb:

Do you have any on aural/visual perception as well?

sure:http://www.augos.com/temp/Temp_AuditoryPerception.htmlhttp://www.augos.com/temp/Temp_VisualPerception.html

Regards,
Joachim

thanks again !
 
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