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Maria C.
Posted: Mon Apr 07, 2008 11:35 am
Guest
Peter T. Daniels wrote:
Quote:
Maria C. wrote:

Comment: When Brian and I got married (1969), I was allowed to have
the organist play "Here Comes the Bride," which was forbidden in most
Catholic churches (I think because the composer was a heretic or
something; someone here will know).

It's the Wedding March from Richard Wagner's opera Lohengrin. There's
nothing in the story of the opera to offend the RC church, and it
doesn't seem likely that the composer's antisemitism (expressed
nowhere in his compositions or his life -- the conductor who led most
of his performances at his home theater was Jewish, only in essays)
was a concern of the Church in those days. Maybe it's just that it was
from a secular source? Also, wasn't that the heyday of the invasion of
the folk guitar into the Mass?

Our church had a Guitar Mass every week, but I think that started after
we got married. It was still going on when we moved to another parish in
1972. The "new" church also had Guitar Masses.

Quote:
Did you have the traditional Mendelssohn recessional? That's from his
Midsummer Night's Dream music.

No, and I have no idea what we had as recessional music. That wasn't as
important to me as the processional.

Quote:
When our daughter got married
(1999), the pastor, along with the musical director, refused to have
the song played.

Surely it can't have been more than not wanting to hear it for the
17,000th time.

Not that at all. They felt it was/is improper in the Church, and refused
to consider it.

Quote:
My daughter didn't care, though, because she did not have
the same attachment to the song that I did. Whatever was played was
totally unmemorable, at least to me. Our daughter and s-i-l liked it,
though.
[...]


--
Maria C.
Maria C.
Posted: Mon Apr 07, 2008 11:47 am
Guest
Robert Bannister wrote:

Quote:
I've only been to one Catholic wedding. My main memory of it was how
boring it was, but that was because it went on for 3 hours. However,
whether this was an RC thing or an Italian thing, I don't know.

Ours lasted about an hour. It was a Wedding Mass, but I -- and most of
my relatives -- did not go up for communion. (The following year is when
I coverted to Catholocism. The conversion has not "kept" very well.)

--
Maria C.
Peter T. Daniels
Posted: Mon Apr 07, 2008 11:53 am
Guest
On Apr 7, 2:54 pm, "Brian M. Scott" <b.sc...@csuohio.edu> wrote:
Quote:
On Mon, 7 Apr 2008 04:34:11 -0700 (PDT), "Peter T. Daniels"
gramma...@verizon.net> wrote in
news:01f3b0ce-554b-46ac-9ec3-16271e673c88@m36g2000hse.googlegroups.com
in sci.lang,alt.usage.english:

On Apr 7, 12:11 am, "Brian M. Scott" <b.sc...@csuohio.edu> wrote:
On Sun, 6 Apr 2008 20:31:58 -0700 (PDT), "Peter T. Daniels"
Jerry Friedman thanks Wikipedia for the links again.
Wikipedia misleads again.
No, the information is from the web pages of the Lutheran
Church Missouri Synod and of the Roman Catholic Diocese of
San Diego.  And you've offered no reason to think that the
information is misleading.
Lohengrin and Parsifal both come from Medieval Christian
legends.
This is not in conflict with either part of the statement
that 'the Missouri Synod Lutherans discouraged it in the
19th century because of the pagan qualities of Wagner's
operas and because they were opposed to the theater then'.
What are the "pagan qualities" of Lohengrin?

There needn't be any -- from our point of view.  Actually,
there needn't be any even from theirs: it says 'the pagan
qualities of Wagner's operas', so perhaps the Ring cycle
contaminated the lot.

So guilt by association was still an operative principle in the RC
Church of 1969? IIRC Pope Ratzinger was already in charge of the
Office of the Holy Inquisition by then. (It had a different name, but
it was the direct descendant of the outfit that gave us Torquemada.)
Skitt
Posted: Mon Apr 07, 2008 12:05 pm
Guest
Maria C. wrote:
Quote:
Peter T. Daniels wrote:
Maria C. wrote:

Comment: When Brian and I got married (1969), I was allowed to have
the organist play "Here Comes the Bride," which was forbidden in
most Catholic churches (I think because the composer was a heretic
or something; someone here will know).

It's the Wedding March from Richard Wagner's opera Lohengrin. There's
nothing in the story of the opera to offend the RC church, and it
doesn't seem likely that the composer's antisemitism (expressed
nowhere in his compositions or his life -- the conductor who led most
of his performances at his home theater was Jewish, only in essays)
was a concern of the Church in those days. Maybe it's just that it
was from a secular source? Also, wasn't that the heyday of the
invasion of the folk guitar into the Mass?

Our church had a Guitar Mass every week, but I think that started
after we got married. It was still going on when we moved to another
parish in 1972. The "new" church also had Guitar Masses.

Did you have the traditional Mendelssohn recessional? That's from his
Midsummer Night's Dream music.

No, and I have no idea what we had as recessional music. That wasn't
as important to me as the processional.

There was a time in my youth when I thought that at my wedding the wedding
march should be Infinity Promenade by Shorty Rogers. (I had the album.)
That didn't happen.
http://www.mp3downloads2007.com/artist/maynard_ferguson_and_shorty_rogers_short_stop/

--
Skitt (AmE)
R H Draney
Posted: Mon Apr 07, 2008 1:46 pm
Guest
Barbara Bailey filted:
Quote:

"jerry_friedman@yahoo.com" <jerry_friedman@yahoo.com> wrote in
news:6a795467-3aed-4000-aca2-92819722974d@8g2000hsu.googlegroups.com:

On Apr 6, 9:46 am, "Maria C." <non...@sbcglobal.net> wrote:
...
Comment: When Brian and I got married (1969), I was allowed to
have the organist play "Here Comes the Bride," which was forbidden
in most Catholic churches (I think because the composer was a
heretic or something; someone here will know).

A character in Robert Heinlein's /I Will Fear No Evil/ says it reminds
her of a cat sneaking up on a mouse. (As I recall.)

Yep. She also compares the Mendelssohn recessional to the triumphant
cackle of a hen that's just laid an egg.

That's a pretty good indication that Heinlein himself felt the same way....r


--
What good is being an executive if you never get to execute anyone?
Brian M. Scott
Posted: Mon Apr 07, 2008 1:54 pm
Guest
On Mon, 7 Apr 2008 04:34:11 -0700 (PDT), "Peter T. Daniels"
<grammatim@verizon.net> wrote in
<news:01f3b0ce-554b-46ac-9ec3-16271e673c88@m36g2000hse.googlegroups.com>
in sci.lang,alt.usage.english:

Quote:
On Apr 7, 12:11 am, "Brian M. Scott" <b.sc...@csuohio.edu> wrote:
On Sun, 6 Apr 2008 20:31:58 -0700 (PDT), "Peter T. Daniels"

Jerry Friedman thanks Wikipedia for the links again.

Wikipedia misleads again.

No, the information is from the web pages of the Lutheran
Church Missouri Synod and of the Roman Catholic Diocese of
San Diego.  And you've offered no reason to think that the
information is misleading.

Lohengrin and Parsifal both come from Medieval Christian
legends.

This is not in conflict with either part of the statement
that 'the Missouri Synod Lutherans discouraged it in the
19th century because of the pagan qualities of Wagner's
operas and because they were opposed to the theater then'.

What are the "pagan qualities" of Lohengrin?

There needn't be any -- from our point of view. Actually,
there needn't be any even from theirs: it says 'the pagan
qualities of Wagner's operas', so perhaps the Ring cycle
contaminated the lot.

Brian
Adam Funk
Posted: Mon Apr 07, 2008 2:16 pm
Guest
On 2008-04-06, jerry_friedman@yahoo.com wrote:

Quote:
http://www.lcms.org/pages/internal.asp?NavID=3928> says the Missouri
Synod Lutherans discouraged it in the 19th century because of the
pagan qualities of Wagner's operas and because they were opposed to
the theater then, and some may still follow that tradition. Other
Protestant churches may have similar beliefs. That article also says
there's much better music available.

An amusing (YMMV) quote from _The Papers of Samuel Marchbanks_ by
Robertson Davies:

Dear Rector:

Can you tell me why it is that so many brides insist on having the
Bridal Chorus from Wagner's _Lohengrin_ played as they stumble up
the aisle at their weddings? It seems to me to be a singularly
ill-chosen piece of music for such an occasion.

Consider the story of the opera: Elsa, a silly girl, has got
herself into a mess; a young man comes along and very competently
gets her out of it; he marries her, on the understanding that she
will never ask his name or whence he comes; but Elsa and her
relatives nag him insufferably until he can bear it no more, and
leaves her. The lesson of the whole opera is that nosiness is a
first-class way to break up a marriage, and Wagner, who was married
to one of the great snoops of his time, knew what he was talking
about. Why is it that girls want this prelude to a strikingly
unfortunate marriage played at their weddings?

I have often wondered what happened to Elsa after Lohengrin ran
away. My guess is that she set up in business as a Wronged Wife,
forgot completely her part in breaking up her marriage, and passed
her time very pleasantly at tea parties, warning younger women that
Men Are Not To Be Trusted. What are your views?

Faithfully,
S. Marchbanks.


--
Agent Rogersz: "It happens sometimes. People just explode.
Natural causes." (Cox 1984)
Mike Lyle
Posted: Mon Apr 07, 2008 3:42 pm
Guest
Peter Moylan wrote:
Quote:
On 07/04/08 01:46, Maria C. wrote:

Frankly, I think the music is much better in non-Catholic churches.
As a former Baptist, my taste in religious songs is more what one
thinks of as "gospel music." The music that the RC church has sounds
boring, and lacking in spirit. (I should go to the Catholic church
in Gatlinburg next time we're there to see what they do when it's
time to "make a joyful noise unto the Lord.)

For a real dirge, try the Anglicans. Worst music ever written.

WHAT?? Purcell, Tallis, (I nearly said "Byrd", but he was only an
honorary Anglican), Handel ... I'm stunned. The fluid line and velvety
texture of the Psalms ... The genitive plurals rolling round the
cathedral vaulting ... It's the /music/ that makes it hardest for an
Anglican to give it all up ... Hell, even the very hymn-book was edited
by Vaughan Williams.

--
Mike.



--
Posted via a free Usenet account from http://www.teranews.com
the Omrud
Posted: Mon Apr 07, 2008 4:17 pm
Guest
Mike Lyle wrote:
Quote:
Peter Moylan wrote:
On 07/04/08 01:46, Maria C. wrote:

Frankly, I think the music is much better in non-Catholic churches.
As a former Baptist, my taste in religious songs is more what one
thinks of as "gospel music." The music that the RC church has sounds
boring, and lacking in spirit. (I should go to the Catholic church
in Gatlinburg next time we're there to see what they do when it's
time to "make a joyful noise unto the Lord.)

For a real dirge, try the Anglicans. Worst music ever written.

WHAT?? Purcell, Tallis, (I nearly said "Byrd", but he was only an
honorary Anglican), Handel ... I'm stunned.

..
..
..
..
..
..
..
..

That was me being speechless.

--
David
Paul J Kriha
Posted: Mon Apr 07, 2008 7:56 pm
Guest
"Lewis" <g.kreme@gmail.com.dontsendmecopies> wrote in message
news:slrnfvkfk1.b8l.g.kreme@cerebus.hsd1.co.comcast.net...
Quote:
In message <65t8pgF2h7g6aU1@mid.individual.net
Robert <robban1@bigpond.com> wrote:
Maria C. wrote:

Frankly, I think the music is much better in non-Catholic churches. As a
former Baptist, my taste in religious songs is more what one thinks of
as "gospel music." The music that the RC church has sounds boring, and
lacking in spirit. (I should go to the Catholic church in Gatlinburg
next time we're there to see what they do when it's time to "make a
joyful noise unto the Lord.)

I've only been to one Catholic wedding. My main memory of it was how
boring it was, but that was because it went on for 3 hours. However,
whether this was an RC thing or an Italian thing, I don't know.

In my rather limited experience with RC weddings, the Italian variety is
very often combined with a full Mass. The non-Italian variety is generally
quite short, though not as short as many others. 20-30 minutes seems about
normal. I've been to weddings where the actual marriage service was less than
five minutes. I have no recollection of my own, other than it was between five
and fifty-five hundred minutes in length. Not that I could swear to that in
court, mind, but I'm fairly certain of the range.

Fifty five hundred minutes? That's a really long wedding.
Did it just seem that long because of the barrel of the
shotgun between your shoulderblades? :-)

pjk

> ...in the long run there's still time to change the road you're on
R H Draney
Posted: Tue Apr 08, 2008 1:24 am
Guest
jerry_friedman@yahoo.com filted:
Quote:

On Apr 7, 12:46 pm, R H Draney <dadoc...@spamcop.net> wrote:
Barbara Bailey filted:





"jerry_fried...@yahoo.com" <jerry_fried...@yahoo.com> wrote in
news:6a795467-3aed-4000-aca2-92819722974d@8g2000hsu.googlegroups.com:

On Apr 6, 9:46 am, "Maria C." <non...@sbcglobal.net> wrote:
...
Comment: When Brian and I got married (1969), I was allowed to
have the organist play "Here Comes the Bride," which was forbidden
in most Catholic churches (I think because the composer was a
heretic or something; someone here will know).

A character in Robert Heinlein's /I Will Fear No Evil/ says it reminds
her of a cat sneaking up on a mouse. (As I recall.)

Yep. She also compares the Mendelssohn recessional to the triumphant
cackle of a hen that's just laid an egg.

Ah yes, I'd forgotten.

That's a pretty good indication that Heinlein himself felt the same way....r

Ooh. I tried saying something like that in rasfw, and you should have
seen what happened. Though I was talking about racism (by a certain
definition) rather than musical taste. I did learn the word
"apodeictic", at least.

Well, we're all safe and warm here in aue now, so there should be no problem
with my honest opinion that while RAH could write an entertaining yarn, it's
damn near impossible to keep straight which of his characters is speaking at any
given moment, so much alike they all sound....

(ObReturnToWeddingMarches: I'd let them play heavy metal if it would keep just
one bride from programming the Pachelbel Canon in D and thinking she's the first
to think of it)....r


--
What good is being an executive if you never get to execute anyone?
Mike Lyle
Posted: Tue Apr 08, 2008 2:36 am
Guest
On Apr 7, 10:06�pm, "jerry_fried...@yahoo.com"
<jerry_fried...@yahoo.com> wrote:
[...]
Quote:

Ooh. �I tried saying something like that in rasfw, and you should have
seen what happened. �Though I was talking about racism (by a certain
definition) rather than musical taste. �I did learn the word
"apodeictic", at least.

I knew "deictic", but had to check that one. Interestingly (to me,
though not necessarily to normal humans), OED gives precedence to the
spelling "apodictic": since the Greek root verb is "deignumi", I find
that a little barbarous. Possibly even barbaric.

--
Mike.
the Omrud
Posted: Tue Apr 08, 2008 2:41 am
Guest
R H Draney wrote:

Quote:
(ObReturnToWeddingMarches: I'd let them play heavy metal if it would keep just
one bride from programming the Pachelbel Canon in D and thinking she's the first

What a lot of weddings you all must attend. I think I have attended
about 8 in the last 30 years, of which maybe 5 were in churches. I
haven't had the chance to become weary of any specific processional music.

--
David
Peter Moylan
Posted: Tue Apr 08, 2008 4:10 am
Guest
On 08/04/08 06:42, Mike Lyle wrote:
Quote:
Peter Moylan wrote:
On 07/04/08 01:46, Maria C. wrote:

Frankly, I think the music is much better in non-Catholic churches.
As a former Baptist, my taste in religious songs is more what one
thinks of as "gospel music." The music that the RC church has sounds
boring, and lacking in spirit. (I should go to the Catholic church
in Gatlinburg next time we're there to see what they do when it's
time to "make a joyful noise unto the Lord.)

For a real dirge, try the Anglicans. Worst music ever written.

WHAT?? Purcell, Tallis, (I nearly said "Byrd", but he was only an
honorary Anglican), Handel ... I'm stunned. The fluid line and velvety
texture of the Psalms ... The genitive plurals rolling round the
cathedral vaulting ... It's the /music/ that makes it hardest for an
Anglican to give it all up ... Hell, even the very hymn-book was edited
by Vaughan Williams.

I'd better qualify the above by saying that my experience is confined to

the local cathedral. Perhaps I was over-generalising from the
preferences of a couple of bishops.

It could be, too, that I was misled by congregations too old to hold a
note. Now that I think of it, the choristers - practically the only
young people in the place, apart from the occasional great-grandchild
drug along without getting a choice - did some good music.

--
Peter Moylan, Newcastle, NSW, Australia. http://www.pmoylan.org
For an e-mail address, see my web page.
CDB
Posted: Tue Apr 08, 2008 7:58 am
Guest
Mike Lyle wrote:
Quote:
On Apr 7, 10:06?pm, "jerry_fried...@yahoo.com"
jerry_fried...@yahoo.com> wrote:

[heinlein and the finger]

Quote:
I did learn the word "apodeictic", at least.

I knew "deictic", but had to check that one. Interestingly (to me,
though not necessarily to normal humans), OED gives precedence to
the spelling "apodictic": since the Greek root verb is "deignumi",
I find that a little barbarous. Possibly even barbaric.

Tupo?
 
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