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| Movies Forum Index » Movie Technology Forum » Christie to stop making film equipment... |
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| Steve Kraus... |
Posted: Sun Oct 04, 2009 8:28 pm |
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Guest
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Christie, the one US film projector brand not owned by Ballantyne/Strong,
is shutting down production of film related products. Christie is a major
(perhaps #1 in the US) of DLP Cinema projectors and other video projectors
through its purchase years ago of Electrohome's video projector business
with factory in Kitchener, Ontario.
This was the announcement to dealers:
Christie film product status change
For more than 40 years Christie has made the most reliable and innovative
film products in the world. From the Academy® Award winning Ultramittent®
to the world’s first gearless projector, Christie has always been at the
forefront of film projection.
In these rapidly changing times and with the move to digital cinema
projection firmly underway, Christie has made the decision to phase out all
new production of film equipment.
Christie will accept non-cancellable purchase orders for film equipment
until October 31, 2009. Acceptance of these orders will be confirmed in
writing and will be subject to availability. Orders must be scheduled for
delivery prior to July 31st 2010.
We remain committed to our film customers and plan to support our film
products well into the future. Parts and upgrade kits will remain available
for as long as our customers require them. Christie will maintain a
sufficient inventory of service parts and in addition, our customer service
and technical support staff will continue to be dedicated to any service
needs going forward.
Jim Dukes
Cinema Product Manager
Christie Digital |
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| Scott Dorsey... |
Posted: Tue Oct 06, 2009 11:53 am |
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Steve Kraus <screen at (no spam) SPAMBLOCKfilmteknik.com> wrote:
Quote: In these rapidly changing times and with the move to digital cinema
projection firmly underway, Christie has made the decision to phase out all
new production of film equipment.
You know, I'd feel better about this if Christie actually made projectors
that didn't tear their intermittents up, and actually worked reliably.
Quote: Christie will accept non-cancellable purchase orders for film equipment
until October 31, 2009. Acceptance of these orders will be confirmed in
writing and will be subject to availability. Orders must be scheduled for
delivery prior to July 31st 2010.
What about stuff like lamphouses, which could be used interchangeably by
film and digital cinema systems?
They had a nice make-up table too. It will be a shame to lose that.
They also used to make really nice film storage cabinets but those seem
to have been discontinued long ago.
Quote: We remain committed to our film customers and plan to support our film
products well into the future. Parts and upgrade kits will remain available
for as long as our customers require them. Christie will maintain a
sufficient inventory of service parts and in addition, our customer service
and technical support staff will continue to be dedicated to any service
needs going forward.
I sure hope they have lots of spare intermittents....
--scott
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"C'est un Nagra. C'est suisse, et tres, tres precis." |
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| Scott Norwood... |
Posted: Wed Oct 07, 2009 5:09 am |
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In article <hag07a$sf9$1 at (no spam) panix2.panix.com>,
Scott Dorsey <kludge at (no spam) panix.com> wrote:
Quote:
They also used to make really nice film storage cabinets but those seem
to have been discontinued long ago.
If you're thinking of regular reel cabinets, those are a Neumade
product, and they are still available, as are the lens cabinets.
Christie does (did) make a nice platter, though.
--
Scott Norwood: snorwood at (no spam) nyx.net, snorwood at (no spam) redballoon.net
Cool Home Page: http://www.redballoon.net/
Lame Quote: Penguins? In Snack Canyon? |
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| Steve Kraus... |
Posted: Wed Oct 07, 2009 5:38 pm |
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Scott Dorsey wrote:
Quote: What about stuff like lamphouses, which could be used interchangeably
by film and digital cinema systems?
Which digital cinema system do you have in mind? AFAIK they all have
integral lamphouses.
The 1st gen 1.3K systems used modified conventional lamphouses or consoles
but those are no longer allowed for digital cinema.
Digital Projection Inc., which (apparently) gave up their license to
produce cinema-grade DLP projectors about 5 minutes into the 2K era, did
make a 2K d-cinema projector which was to mount in front of a (modified)
conventional lamphouse but very few (possibly only 1) were sold in the US.
It is not DCI compliant. |
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| in Technicolor®... |
Posted: Thu Oct 08, 2009 3:54 pm |
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Guest
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"Scott Dorsey" <kludge at (no spam) panix.com> wrote in message
news:hag07a$sf9$1 at (no spam) panix2.panix.com...
Quote: Steve Kraus <screen at (no spam) SPAMBLOCKfilmteknik.com> wrote:
In these rapidly changing times and with the move to digital cinema
projection firmly underway, Christie has made the decision to phase out
all
new production of film equipment.
You know, I'd feel better about this if Christie actually made projectors
that didn't tear their intermittents up, and actually worked reliably.
Christie will accept non-cancellable purchase orders for film equipment
until October 31, 2009. Acceptance of these orders will be confirmed in
writing and will be subject to availability. Orders must be scheduled for
delivery prior to July 31st 2010.
What about stuff like lamphouses, which could be used interchangeably by
film and digital cinema systems?
They had a nice make-up table too. It will be a shame to lose that.
They also used to make really nice film storage cabinets but those seem
to have been discontinued long ago.
We remain committed to our film customers and plan to support our film
products well into the future. Parts and upgrade kits will remain
available
for as long as our customers require them. Christie will maintain a
sufficient inventory of service parts and in addition, our customer
service
and technical support staff will continue to be dedicated to any service
needs going forward.
I sure hope they have lots of spare intermittents....
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
I've been wondering the past 2-3 years if the equipment on shelves of rental
houses, manufacturers, etc. and what is already deployed in the film based
world for capture and projection is the last we will see of these products.
No more 16, 35, or 65mm cameras. lenses, processors, and projectors.
Perhaps no more new emulsions for photography, archiving, projection and
intermediate use. The end is near, yes?
Morgan |
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| Scott Dorsey... |
Posted: Mon Oct 12, 2009 7:45 am |
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=?iso-8859-1?Q?in_Technicolor=AE?= <$%^nobody at (no spam) nowhere.com> wrote:
Quote: I've been wondering the past 2-3 years if the equipment on shelves of rental
houses, manufacturers, etc. and what is already deployed in the film based
world for capture and projection is the last we will see of these products.
No more 16, 35, or 65mm cameras. lenses, processors, and projectors.
Perhaps no more new emulsions for photography, archiving, projection and
intermediate use. The end is near, yes?
Probably, but if you look at your local rental company, you'll see a lot
of the equipment there dates way back anyway. The good and the bad thing
about film gear is that the standards don't change much, so equipment made
in the 1920s is still usable today. There are plenty of old Bell and Howell
movements still running today in special purpose cameras.
The advancement in the past 50 years has mostly been in lenses, sound, and
emulsions. I still expect the first two to keep improving because those
improvements won't be specific to film presentation and production. The
emulsion technology, though, is what I most worry about stagnation in.
--scott
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"C'est un Nagra. C'est suisse, et tres, tres precis." |
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| -b-... |
Posted: Mon Oct 19, 2009 3:02 pm |
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I pretty much agree with you, but it's interesting you chose "the last 50
years" as a marker, as this would bring us back to a period of prodigious
development in projected image technology, with Cinerama, Cinemiracle and
Todd-AO in full swing, and the development of the Simplex XL 35mm projector
underway, it was a period of intense research and development in image
technology - curved gates, air and water cooled gates, conical shutters,
high-intensity arcs. There was a lot new in 1959.
No one will miss Christie’s crappy 35mm projectors.
In article <havbua$ilp$1 at (no spam) panix1.panix.com>, kludge at (no spam) panix.com says...
Quote:
=?iso-8859-1?Q?in_Technicolor=AE?= <$%^nobody at (no spam) nowhere.com> wrote:
I've been wondering the past 2-3 years if the equipment on shelves of rental
houses, manufacturers, etc. and what is already deployed in the film based
world for capture and projection is the last we will see of these products.
No more 16, 35, or 65mm cameras. lenses, processors, and projectors.
Perhaps no more new emulsions for photography, archiving, projection and
intermediate use. The end is near, yes?
Probably, but if you look at your local rental company, you'll see a lot
of the equipment there dates way back anyway. The good and the bad thing
about film gear is that the standards don't change much, so equipment made
in the 1920s is still usable today. There are plenty of old Bell and Howell
movements still running today in special purpose cameras.
The advancement in the past 50 years has mostly been in lenses, sound, and
emulsions. I still expect the first two to keep improving because those
improvements won't be specific to film presentation and production. The
emulsion technology, though, is what I most worry about stagnation in.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis." |
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