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Ferdinand Von Galitzien...
Posted: Fri Jun 20, 2008 11:17 am
Guest
In the silent year of 1925, the popular Amerikan comedian Herr Larry
Semon, adapted, produced and starred in Frank Baum's greatest children
's book "The Wonderful Wizard Of Oz"and this German count finds it is
possible to say that it is a perfect film vehicle for Herr Semon but
no
one else in the story. Except for that popular silent comedian, there
is no room or chance for the other characters; Dorothy ( Dame Dorothy
Dwan ) is no more than a supporting character( no trace of Toto ) and
the great wizard seems no mightier than a magician's apprentice.

The first half of the film might be described as "A Farmhand (
obviously Herr Larry Semon himself ) In The Pratfall Land Of Texas"
where a lot of sight gags are displayed, especially the inventive use
of many animations tricks (amazing to this German count) The second
half of the film or "A Scarecrow ( Herr Larry Semon himself again )In
The Slapstick Land Of Oz", includes funny and elaborate and very well
assembled scenes with walker boxes and hungry lions.

Due to the omnipresent Herr Semon , the rest of the cast has little to
do. Oliver Hardy (The Tin Woodsman) and Dorothy Dwan were regular
supporting actors in many of Herr Semon comedy shorts. Dame Dwan is
pretty old for her character so it is no great loss that her part is
so
minor but it's a pity in Herr Hardy's case, especially since he has a
triple role.

"The Wizard Of Oz" is, in spite of it all, is an interesting oeuvre
but
Herr Larry Semon's artistic selfishness and his presence in almost
scene becomes a kind of artistic egocentrism; a great classic becomes
no more than a vanity project.

And now, if you'll allow me, I must temporarily take my leave because
this German Count must go to Berlin, the nearest place to Oz.

Herr Graf Ferdinand Von Galitzien
http://ferdinandvongalitzien.blogspot.com/
StormChaser...
Posted: Fri Jun 20, 2008 6:15 pm
Guest
The question remains why Larry Semon thought he was more
important than the subject matter?

Did he first acquire the project with initial desires of a faithful
adaption but then felt it would not be successful unless he
had more screen time and be oblivious to the story?

Was The Wizard of Oz as a book thought of in such a low manner
that it could be a framework for a slapstick comedy?

When one takes an assessment of the career of Oliver Hardy,
one can agree that he had truly paid his dues after appearing
in the Larry Semon comedies.

Ferdinand Von Galitzien wrote:
Quote:
In the silent year of 1925, the popular American comedian Herr Larry
Semon, adapted, produced and starred in Frank Baum's greatest children
's book "The Wonderful Wizard Of Oz"and this German count finds it is
possible to say that it is a perfect film vehicle for Herr Semon but
no
one else in the story. Except for that popular silent comedian, there
is no room or chance for the other characters; Dorothy ( Dame Dorothy
Dawn ) is no more than a supporting character( no trace of Toto ) and
the great wizard seems no mightier than a magician's apprentice.

The first half of the film might be described as "A Farmhand (
obviously Herr Larry Semon himself ) In The Pratfall Land Of Texas"
where a lot of sight gags are displayed, especially the inventive use
of many animations tricks (amazing to this German count) The second
half of the film or "A Scarecrow ( Herr Larry Semon himself again )In
The Slapstick Land Of Oz", includes funny and elaborate and very well
assembled scenes with walker boxes and hungry lions.

Due to the omnipresent Herr Semon , the rest of the cast has little to
do. Oliver Hardy (The Tin Woodsman) and Dorothy Dwan were regular
supporting actors in many of Herr Semon comedy shorts. Dame Dwan is
pretty old for her character so it is no great loss that her part is
so
minor but it's a pity in Herr Hardy's case, especially since he has a
triple role.

"The Wizard Of Oz" is, in spite of it all, is an interesting oeuvre
but
Herr Larry Semon's artistic selfishness and his presence in almost
scene becomes a kind of artistic egocentrism; a great classic becomes
no more than a vanity project.

And now, if you'll allow me, I must temporarily take my leave because
this German Count must go to Berlin, the nearest place to Oz.

Herr Graf Ferdinand Von Galitzien
http://ferdinandvongalitzien.blogspot.com/
StormChaser...
Posted: Sat Jun 21, 2008 4:06 pm
Guest
On Jun 21, 10:35 am, Lloyd Fonvielle <navigareNOS... at (no spam) cox.net> wrote:
Quote:
tmk wrote:
(can you imagine a thoughtful silent
adaptation of "The Wizard of Oz"? The opportunities to create a fantasy
world with stylized production design and cinematography are endless).

You mean like the mid-teens shorts directed by Baum himself? They are
quite sweet, and do make an effort to look like the original
illustrations.

But otherwise, sadly, seem like home movies of amateur theatrical
productions.

Mar de Cortes Baja

www.mardecortesbaja.com<http://www.mardecortesbaja.com/blog

I agree.

L. Frank Baum sadly was less enamored with cinema
and more enamored the stage.

They play like stage plays shot by a movie camera with
a dash of imagination.

One dash being the illusion of walking up a wall
in THE PATCHWORK GIRL OF OZ.

The wall is laid on the floor and filmed while
the camera is tilted sideways.

The actors are instructed to walk slowly
on the wall to give the illusion of walking
upwards.

Considering the time period this movie was shot
this effect is mildly advanced.

However, the imagination Baum put on page
somehow eluded him on celluloid.
 
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