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David N. Butterworth
Posted: Tue Oct 14, 2003 4:35 pm
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INTOLERABLE CRUELTY
A film review by David N. Butterworth
Copyright 2003 David N. Butterworth

*1/2 (out of ****)


There was a time, probably around 1998 when "The Big Lebowski"
bowled into theaters, when I truly believed that a lackluster Coen Brothers

movie still stood head and shoulders above your typical Hollywood "A"
product. I felt the same way two years later when their "O Brother, Where

Art Thou?" surfaced. And I convinced myself further a year later following

the release of "The Man Who Wasn't There."

But I don't believe that anymore.

"Intolerable Cruelty," a film that is occasionally cruel and almost
entirely

intolerable, nails the Coen's coffin well and truly shut. It illustrates,
once

and for all, how the mighty have fallen. And it confirms the suspicions I

had about their previous two efforts--my instincts *were* good after all.

The perfect "Fargo" (a quintessential Coen Brothers movie that I
enjoyed again the other night) ends with the standard disclaimer that any
resemblance between real people living or dead is purely coincidental
(turns out their "based on a true story" opener was pure Coen hokum).
Likewise, any resemblance between "Intolerable Cruelty" and a Coen
Brothers movie is also purely coincidental. OK, so George Clooney, as
super slick divorce attorney Miles Massey, pretty much plays the same
character he played in "O Brother…"--there’s one similarity. Ulysses
Everett McGill was a dapper sort obsessed with his hair; in "Cruelty,"
Miles is obsessed with his dental work. But there’s little else that
reminded me I was in Coen territory.

While Miles is a stock Coen rehash already Clooney, at least, relishes

the opportunity to embellish a former character and his ebullient
performance is one of the film's few saving graces. The other is
Catherine Zeta-Jones. She's a knockout--and drop-dead gorgeous--as
cold-blooded gold digger Marylin Rexroth whom Miles falls for. Hard.
Supporting characters (played by Edward Herrmann, Cedric the
Entertainer, Billy Bob Thornton, and Julia Duffy to name a few) come and
go like a neap tide but they’re mostly unmemorable, like Carter Burwell's
score or Roger Deakins’ cinematography (Coen regulars these).

"Intolerable Cruelty" is supposed to be a screwball romance in that
Preston Sturges mold, although to say that is an insult to Sturges. Part of

the problem might be that the story (and subsequent screenplay) is not,
for the first time, credited solely to the Coens (although I wouldn’t be
surprised to learn that Robert Ramsey and Matthew Stone are
pseudonyms for the duplicitous pair). Delicious dialogue has always
been a Coen forte yet there's no lather worth working ourselves up into
here. Even their trademark wit is largely absent. There are a few funny
lines but mostly it's painful goin--the opening sequence, for example,
which features top-billed Geoffrey Rush, is one of the worst pre-credits
sequences I have seen in decades. Rush quickly disappears from the
scene only to re-emerge in two 15-second spots later on in the film. The
"Pirates of the Caribbean" star’s truncated role might be telling--perhaps

nervous executives were as dissatisfied with the film as I was.

For fans of creative cinema, let's hope the heavy-on-style,
heavy-on-smugness "Intolerable Cruelty" is simply a bump in the road for
the Coens and that their next film (a remake of the classic Ealing Studios

black comedy "The Ladykillers") will re-establish their reputation as two of

today's most innovative filmmakers. Otherwise I might be forced to rent
"Raising Arizona" for the gazillionth time…


--
David N. Butterworth
dnb@dca.net

Got beef? Visit "La Movie Boeuf"
online at http://members.dca.net/dnb

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X-RT-ReviewID: 1206819
X-RT-TitleID: 1126178
X-RT-SourceID: 878
X-RT-AuthorID: 1393
X-RT-RatingText: 1.5/4
 
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