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Eric Toline
Posted: Tue Jul 06, 2004 5:35 pm
Guest
Re: AT 895

Group: rec.arts.movies.production.sound Date: Wed, Jul 7, 2004, 1:32am
(EDT+7) From: kaizero removeit@netvision.net.il (Oleg Kaizerman)
"While the OH schoeps is a good idea, rigging the mic cables to the
ceiling may be a problem both from a rigging and safety issue.
ok bring it here and throw your cigarette
http://spot.colorado.edu/~dziadeck/zeppelin.html after you finish ,here
is the cure that came to your town
http://www.led-zeppelin.org/multimedia/photos/group269.jpg
--
Oleg Kaizerman (gebe) Hollyland putting the Emigrant Song on my Technics
<<<<<<<<<<<

Oleg baby, what did I tell you about attempting humor? Wink))

The only real zeppelins around here are the Goodyear Blimps that park
about 6 miles from here.

Eric
Guest
Posted: Tue Jul 06, 2004 5:53 pm
"Andy Hambleton" <rolling_thunder55@hotmail.com> wrote in message
news:7ce9d9e1.0407052059.67bd83b@posting.google.com...

Quote:
All these options are thought to be too intrusive. Hmmmph.

I would call up the producer on a speaker phone and talk 20' feet from it.

I would also bring a set of isolating headphones for the producer to listen
to the room during the setup and see how it sounds without a close mic.

I would also suggest that talking without a lecturn to hide behind and lean
on
would be more indimidating than nothing but air. A wireless mic could
easily
be concealed discreetly into a lecturn.

Boris
Oleg Kaizerman
Posted: Tue Jul 06, 2004 7:16 pm
Guest
Grandpa Eric ,you can always bring the spare tiers from your trunk and
helium to the set , ( don't miss it with the oxygen you use ) :-)

--
Oleg Kaizerman (gebe) Hollyland
--

"Eric Toline" <Audioetc@webtv.net> wrote in message
news:7924-40EB375E-29@storefull-3252.bay.webtv.net...

Re: AT 895

Group: rec.arts.movies.production.sound Date: Wed, Jul 7, 2004, 1:32am
(EDT+7) From: kaizero removeit@netvision.net.il (Oleg Kaizerman)
"While the OH schoeps is a good idea, rigging the mic cables to the
ceiling may be a problem both from a rigging and safety issue.
ok bring it here and throw your cigarette
http://spot.colorado.edu/~dziadeck/zeppelin.html after you finish ,here
is the cure that came to your town
http://www.led-zeppelin.org/multimedia/photos/group269.jpg
--
Oleg Kaizerman (gebe) Hollyland putting the Emigrant Song on my Technics
<<<<<<<<<<<

Oleg baby, what did I tell you about attempting humor? Wink))

The only real zeppelins around here are the Goodyear Blimps that park
about 6 miles from here.

Eric
Andy Hambleton
Posted: Tue Jul 06, 2004 10:55 pm
Guest
My thanks go out to all who responded here. I'm flying out in the
morning, prepared to either put the mics on the floor, or to pass the
wireless baton. As always, I'm sure that whatever I decide in my
office will change when I actually see the room that we're shooting
in. I appreciate the input from everyone. Now at least I can shoot
down the "spy mic" argument with confidence.

Andy
Martin Harrington
Posted: Fri Jul 09, 2004 6:13 am
Guest
Andy, stay away from the 895 array, I used it on a doco for a couple of
days....terrible, and heavy.
Talk the producer into something else if at all possible.

--
Martin Harrington
www.lendanear-sound.com
"Andy Hambleton" <rolling_thunder55@hotmail.com> wrote in message
news:7ce9d9e1.0407052059.67bd83b@posting.google.com...
Quote:
Here's a question in two parts. I'm getting ready to do a corporate
job for a pharmaceuticals company the latter part of this week.
There's one meeting during which some medical patients will be asked
to stand and deliver testimonials to a very intimate crowd. There is
to be no podium, they will not be mic-ed in the room, and the producer
doesn't want to put them behind a mic stand, or boom them, or pin
them. All these options are thought to be too intrusive. Hmmmph.
The original suggestion was to have a hand-held wireless that they
would hand off to each other like the baton in a relay race.

This is not normally a pain-in-the-ass producer, but now, at the last
minute of course, she has gotten the idea that maybe we could use a
"'spy mic' of some kind...Like a parabolic...Then we wouldn't have to
worry about them being intimidated by the mic, not handing it off, or
holding it in the wrong position!"

The parabs that I've worked with sounded like, like...well, like crap,
and I don't want to have anything to do with that idea. Would the
AT895 adaptive array be able to reach out about 30 feet across a
meeting room and deliver anything resembling acceptable speech? I've
read Glenn Trew's review, and it made me wonder if it might be
possible.

If the consensus is affirmative, does anyone know if they might be one
available to rent in the San Diego area? What might such a thing cost
to rent?

Oh, and my flight to San Diego leaves at 11:00 am on
Wednesday...Sheeeesh.

Thanks.
Andy Hambleton
Ty Ford
Posted: Fri Jul 09, 2004 9:23 am
Guest
On Fri, 9 Jul 2004 08:13:39 -0400, Martin Harrington wrote
(in article <TZvHc.85735$sj4.34555@news-server.bigpond.net.au>):

Quote:
Andy, stay away from the 895 array, I used it on a doco for a couple of
days....terrible, and heavy.
Talk the producer into something else if at all possible.



That wouldn't be my idea of good use for it. I reviewed it some time back and
that review is on my site. I heard it as pretty much a tool for the "Can the
ambient environment be much worse?" situation.

Sort of like the sand wedge in a collection of golf clubs.

Regards.

Ty Ford



-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at http://home.comcast.net/~tyreeford
 
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