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Hobby Forum Index » Music - Classical » Washington Post Magazine: Gene Weingarten: Fiddling...
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| Premise Checker... |
Posted: Thu Jul 03, 2008 2:38 pm |
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I doubt the oringial story was nearly as well written!
Gene Weingarten: Fiddling Around With History
http://www.washingtonpost.com/wp-dyn/content/article/2008/06/24/AR2008062401153_pf.html
Gene's idea wasn't old, it was well-aged
Sunday, June 29, 2008
You may like or dislike my columns. You may think I am a fine fellow
or a jackass. But there is one fact you may no longer dispute: I am
a brilliantly original thinker.
I would not say it if I didn't have proof, namely, the Pulitzer
Prize. I won it for an article I wrote last year about what happened
when a world-famous violinist played for spare change, incognito,
for three-quarters of an hour outside a subway station. Playing his
priceless Stradivarius, violin virtuoso Joshua Bell, a onetime child
prodigy, made a few measly bucks and change. Most people hurried
past, unheeding. It was a story about artistic context, priorities
and the soul-numbing gallop of modernity.
The stunt, which I had ginned up, was judged to be completely
groundbreaking. The rush of adulation from inside my profession was
immediate and intoxicating; suffice it to say that at the Pulitzer
ceremony in New York, a beautiful and talented young journalism
student was clearly disappointed to learn I am married.
Quite pleased with myself, I returned home to find waiting for me an
e-mail from a man named Paul Musgrave. Paul works in Yorba Linda,
Calif., at the Richard Nixon Presidential Library, a fact that is
irrelevant to this story except that, wafting as it does from the
grave of the man The Washington Post did so much to destroy, it
smells faintly but ominously of payback. Besides, as you will see,
every last thing you are about to read, in some measure, relates to
everything else.
Musgrave told me that he'd been scrolling through microfiche while
researching an unrelated project when his eyes fell on a story in
the Indianapolis Times from May 1930. It was a wire account of a
remarkable thing that had just happened in Chicago. In a stunt
ginned up by a newspaper named the Post -- the Chicago Evening Post
-- violin virtuoso Jacques Gordon, a onetime child prodigy,
performed for spare change on his priceless Stradivarius, incognito,
for three-quarters of an hour outside a subway station. Most people
hurried past, unheeding. The violinist made a few measly bucks and
change. It was a story about artistic context, priorities and the
soul-numbing gallop of modernity.
I immediately fired off a return e-mail to Paul Musgrave. It
consisted of two four-letter words, both in capital letters, the
first of which was HOLY.
In the days that followed, I obtained a copy of the original article
from the long-defunct Evening Post. The main story, bylined Milton
Fairman, was on Page One, under the headline "Famous Fiddler in
Disguise Gets $5.61 in Curb Concerts." The story began: "A tattered
beggar in an ancient frock coat, its color rusted by the years, gave
a curbstone concert yesterday noon on windswept Michigan Avenue.
Hundreds passed him by without a glance, and the golden notes that
rose from his fiddle were swept by the breeze into unlistening ears
...."
We learn from this story that two of the handful of songs played by
Jacques Gordon were Massenet's "Meditation" from "Thais" and
Schubert's "Ave Maria." Two of the handful of songs played by Joshua
Bell last year were Massenet's "Meditation" from "Thais" and
Schubert's "Ave Maria." Of the hundreds of people who walked by
Gordon, only one recognized him for who he was. Of the hundreds of
people who walked by Bell, only one recognized him for who he was.
I telephoned Bell -- he, too, had not heard about this other street
corner stunt. But, though Jacques Gordon died two decades before
Bell was born, Bell knew of him. The two men had shared something
intimate. From 1991 through 2001, Bell played the same Strad that
Gordon had once owned, the same one Gordon had played on the Chicago
streets that day in 1930. For 11 years, Bell's fingers held the same
ancient wood.
There were differences between the two impromptu performances; Bell
played indoors, but Gordon did not, meaning that some of Gordon's
music evaporated into Chicago's frisky winds. Eventually, Gordon
drew a small crowd; Bell never did. But the biggest difference is
that the Evening Post's story -- the brainchild of Michael W.
Straus, the paper's brash young city editor -- was a one-day minor
curiosity. Mine, kept alive and aloft by the might of the Web, went
global.
I'm sitting here looking at my Pulitzer Prize, which is awarded in
part for "originality," and I'm laughing. Is ignorance a defense? Is
there a statute of limitations on originality? Is 77 years okay?
Mostly, I'm thinking that around the year 2085, a writer -- someone
who hasn't been born yet -- is going to wake up one day with this
really terrific idea ...
Gene Weingarten can be reached at weingarten at (no spam) washpost.com. Chat with
him online Tuesdays at noon. |
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| Matthew B. Tepper... |
Posted: Thu Jul 03, 2008 8:53 pm |
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I see Weingarten at least is honest enough to call the Joshua Bell business a
"stunt," which is exactly what it was, as it was set-up specifically to fail,
not to "test" a thesis. The originality of it, or lack of same, beggars the
issue. You might as well take David Hockney and plunk him down in the main
square of some small town in Iowa taking photos of the residents for $5 a
shot, and "prove" something because nobody there recognizes him.
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Opinions expressed here are not necessarily those of my employers |
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| pgaron... |
Posted: Fri Jul 04, 2008 8:23 am |
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On Jul 4, 9:39 am, Jon Teske <jdte... at (no spam) comcast.net> wrote:
Quote: Those of us who live in Washington DC area and get the Post and like
me, read Weingarten regularly, appreciate his humor. Whether a stunt
or not, Weingarten is a humor writer. One of the best. I don't think
he was trying to prove any great scientific theorem with the Josh Bell
caper, he was reminding us of our human nature, of our ability to tune
out things when we are preoccupied with doing something else, in this
case getting to work. Even though I am a violinist, capable of playing
the Chaconne (if not at Bell's level), I too have bypassed street
musician playing classical things if I was Hell-bent on being
somewhere else. Yes, I probably would have recognized Bell had I been
there that day, but despite my pretty good knowledge of violin
soloists, might have bypassed someone of solo calibre, but lesser
known, if I had a train to catch.
Gene writes (mostly) to entertain. His weekly column on the last page
of the Washington Post Magazine is intended to be funny, to make light
of his and our foibles. He does occasionally write some extended
pieces of which the Bell story was one. He has also writen some deadly
serious extended pieces for the magazine, and though I can't remember
the subject of the one I am trying to think of, from a couple of years
ago, I remember being very moved by it at the time.
Agreed. Several years ago, GW wrote a fascinating article in the Post
about the sad, strange life of the man who wrote the Hardy Boys (and
some of the Nancy Drew?) mysteries, which sticks in my mind. I hope
he returns again to the lengthier "serious" pieces.
pgaron |
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| Peter T. Daniels... |
Posted: Fri Jul 04, 2008 11:11 am |
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Guest
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On Jul 4, 2:23 pm, pgaron <pga... at (no spam) my-deja.com> wrote:
Quote: On Jul 4, 9:39 am, Jon Teske <jdte... at (no spam) comcast.net> wrote:
Those of us who live in Washington DC area and get the Post and like
me, read Weingarten regularly, appreciate his humor. Whether a stunt
or not, Weingarten is a humor writer. One of the best. I don't think
he was trying to prove any great scientific theorem with the Josh Bell
caper, he was reminding us of our human nature, of our ability to tune
out things when we are preoccupied with doing something else, in this
case getting to work. Even though I am a violinist, capable of playing
the Chaconne (if not at Bell's level), I too have bypassed street
musician playing classical things if I was Hell-bent on being
somewhere else. Yes, I probably would have recognized Bell had I been
there that day, but despite my pretty good knowledge of violin
soloists, might have bypassed someone of solo calibre, but lesser
known, if I had a train to catch.
Gene writes (mostly) to entertain. His weekly column on the last page
of the Washington Post Magazine is intended to be funny, to make light
of his and our foibles. He does occasionally write some extended
pieces of which the Bell story was one. He has also writen some deadly
serious extended pieces for the magazine, and though I can't remember
the subject of the one I am trying to think of, from a couple of years
ago, I remember being very moved by it at the time.
Agreed. Several years ago, GW wrote a fascinating article in the Post
about the sad, strange life of the man who wrote the Hardy Boys (and
some of the Nancy Drew?) mysteries, which sticks in my mind. I hope
he returns again to the lengthier "serious" pieces.
If he did, then he was "pranking" you again -- there was no one author
for the Hardy Boys, Nancy Drew, etc.; someone came up with a plot
outline, and the actual composition of the stories was handled by a
stable of penny-a-word freelancers. And the books were regularly
revised over the decades -- initially to "update police methods," but
also to excise racism and other no longer appropriate attitudes, and
to modernize the slang, the car terminology, etc. (When I started
reading the Hardy Boys in 1959, I had no idea what a "roadster" was --
still don't --, and I rather doubt that that word appears in current
printings of the early books in the series.) |
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| Jon Teske... |
Posted: Fri Jul 04, 2008 11:30 am |
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Guest
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On Fri, 04 Jul 2008 11:15:41 -0500, "Matthew B. Tepper"
<oyþ at (no spam) earthlink.net> wrote:
Quote: Jon Teske <jdteske at (no spam) comcast.net> appears to have caused the following
letters to be typed in news:5lcs64181g21ekub4lm2i6gfb4691vorjb at (no spam) 4ax.com:
Just before the Jun 29 story, maybe a week or three before, Weingarten
wrote a piece in his regular column about prank phone calls and commercial
phone calls about winning prizes, like "a free vacation to our resort."
[Which are always time share pitches]. At the end of the article someone
calls him up to say he just won the Pulitzer Prize, and Gene thinks it is a
prank being pulled on him.
No; it was a prank being pulled on the profession of journalism.
Matthew, in reading your comments I am often reminded of a writing by
a famous editor of the Washington Post, Ben Bradlee, he of Watergate
fame.
This story, later recounted in Washingtonian Magazine goes as follows.
A journalist on the Post's staff in the 70's made application to
Bradlee to be the Post's Bureau Chief in Los Angeles.
The journalist had a "prickly" reputation.
Bradlee wrote to the Journalist:
Dear.......
I have read your application to be our Bureau Chief in LA.
You are a talented journalist.
You are also a pain in the ass.
I will have a talented journalist heading up LA, he will not
be a pain in the ass.
Ben.
Jon |
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| pgaron... |
Posted: Fri Jul 04, 2008 12:27 pm |
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Guest
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I found a copy of Weingarten's 1998 Wash. Post article on the author
of *many* of the Hardy Boys books:
http://tinyurl.com/a4qjq
I think it's a legitimate article, and not "pranking." See what you
think.
pgaron
On Jul 4, 5:11 pm, "Peter T. Daniels" <gramma... at (no spam) verizon.net> wrote:
Quote: On Jul 4, 2:23 pm, pgaron <pga... at (no spam) my-deja.com> wrote:
On Jul 4, 9:39 am, Jon Teske <jdte... at (no spam) comcast.net> wrote:
Those of us who live in Washington DC area and get the Post and like
me, read Weingarten regularly, appreciate his humor. Whether a stunt
or not, Weingarten is a humor writer. One of the best. I don't think
he was trying to prove any great scientific theorem with the Josh Bell
caper, he was reminding us of our human nature, of our ability to tune
out things when we are preoccupied with doing something else, in this
case getting to work. Even though I am a violinist, capable of playing
the Chaconne (if not at Bell's level), I too have bypassed street
musician playing classical things if I was Hell-bent on being
somewhere else. Yes, I probably would have recognized Bell had I been
there that day, but despite my pretty good knowledge of violin
soloists, might have bypassed someone of solo calibre, but lesser
known, if I had a train to catch.
Gene writes (mostly) to entertain. His weekly column on the last page
of the Washington Post Magazine is intended to be funny, to make light
of his and our foibles. He does occasionally write some extended
pieces of which the Bell story was one. He has also writen some deadly
serious extended pieces for the magazine, and though I can't remember
the subject of the one I am trying to think of, from a couple of years
ago, I remember being very moved by it at the time.
Agreed. Several years ago, GW wrote a fascinating article in the Post
about the sad, strange life of the man who wrote the Hardy Boys (and
some of the Nancy Drew?) mysteries, which sticks in my mind. I hope
he returns again to the lengthier "serious" pieces.
If he did, then he was "pranking" you again -- there was no one author
for the Hardy Boys, Nancy Drew, etc.; someone came up with a plot
outline, and the actual composition of the stories was handled by a
stable of penny-a-word freelancers. And the books were regularly
revised over the decades -- initially to "update police methods," but
also to excise racism and other no longer appropriate attitudes, and
to modernize the slang, the car terminology, etc. (When I started
reading the Hardy Boys in 1959, I had no idea what a "roadster" was --
still don't --, and I rather doubt that that word appears in current
printings of the early books in the series.)
I found a copy of Weingarten's 1998 article on the author of *many* of
the Hardy Boys books.
http://tinyurl.com/a4qjq
I think it's a legitimate article, and not "pranking." See what you
think.
pgaron |
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| Back to top |
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| Matthew B. Tepper... |
Posted: Fri Jul 04, 2008 2:28 pm |
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Guest
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Jon Teske <jdteske at (no spam) comcast.net> appears to have caused the following
letters to be typed in news:cpjs645oeepqbjear5dt8l0bmtqa98ohf7 at (no spam) 4ax.com:
Quote: On Fri, 04 Jul 2008 11:15:41 -0500, "Matthew B. Tepper"
oyþ at (no spam) earthlink.net> wrote:
Jon Teske <jdteske at (no spam) comcast.net> appears to have caused the following
letters to be typed in news:5lcs64181g21ekub4lm2i6gfb4691vorjb at (no spam) 4ax.com:
Just before the Jun 29 story, maybe a week or three before, Weingarten
wrote a piece in his regular column about prank phone calls and
commercial phone calls about winning prizes, like "a free vacation to
our resort." [Which are always time share pitches]. At the end of the
article someone calls him up to say he just won the Pulitzer Prize,
and Gene thinks it is a prank being pulled on him.
No; it was a prank being pulled on the profession of journalism.
Matthew, in reading your comments I am often reminded of a writing by a
famous editor of the Washington Post, Ben Bradlee, he of Watergate fame.
This story, later recounted in Washingtonian Magazine goes as follows.
A journalist on the Post's staff in the 70's made application to
Bradlee to be the Post's Bureau Chief in Los Angeles.
The journalist had a "prickly" reputation.
Bradlee wrote to the Journalist:
Dear.......
I have read your application to be our Bureau Chief in LA.
You are a talented journalist.
You are also a pain in the ass.
I will have a talented journalist heading up LA, he will not be a pain
in the ass.
And the "nice guy" he wound up hiring probably gave him lots of nice stories
about crowded beaches, car shows, Hollywood tourists, and the Watts Towers.
Classical music reporting in the mainstream media today is at a low point.
It it requires a pain in the ass to point this out as often as is required,
then I am duty-bound to accept it as my calling.
(Oh, and Bradless could also have used a style editor to correct that comma
splice in his last graph, but I'll let that slide.)
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Opinions expressed here are not necessarily those of my employers |
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| Back to top |
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| Peter T. Daniels... |
Posted: Fri Jul 04, 2008 5:35 pm |
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Guest
|
On Jul 4, 6:27 pm, pgaron <pga... at (no spam) my-deja.com> wrote:
Quote: I found a copy of Weingarten's 1998 Wash. Post article on the author
of *many* of the Hardy Boys books:
http://tinyurl.com/a4qjq
I think it's a legitimate article, and not "pranking." See what you
think.
pgaron
On Jul 4, 5:11 pm, "Peter T. Daniels" <gramma... at (no spam) verizon.net> wrote:
On Jul 4, 2:23 pm, pgaron <pga... at (no spam) my-deja.com> wrote:
On Jul 4, 9:39 am, Jon Teske <jdte... at (no spam) comcast.net> wrote:
Those of us who live in Washington DC area and get the Post and like
me, read Weingarten regularly, appreciate his humor. Whether a stunt
or not, Weingarten is a humor writer. One of the best. I don't think
he was trying to prove any great scientific theorem with the Josh Bell
caper, he was reminding us of our human nature, of our ability to tune
out things when we are preoccupied with doing something else, in this
case getting to work. Even though I am a violinist, capable of playing
the Chaconne (if not at Bell's level), I too have bypassed street
musician playing classical things if I was Hell-bent on being
somewhere else. Yes, I probably would have recognized Bell had I been
there that day, but despite my pretty good knowledge of violin
soloists, might have bypassed someone of solo calibre, but lesser
known, if I had a train to catch.
Gene writes (mostly) to entertain. His weekly column on the last page
of the Washington Post Magazine is intended to be funny, to make light
of his and our foibles. He does occasionally write some extended
pieces of which the Bell story was one. He has also writen some deadly
serious extended pieces for the magazine, and though I can't remember
the subject of the one I am trying to think of, from a couple of years
ago, I remember being very moved by it at the time.
Agreed. Several years ago, GW wrote a fascinating article in the Post
about the sad, strange life of the man who wrote the Hardy Boys (and
some of the Nancy Drew?) mysteries, which sticks in my mind. I hope
he returns again to the lengthier "serious" pieces.
If he did, then he was "pranking" you again -- there was no one author
for the Hardy Boys, Nancy Drew, etc.; someone came up with a plot
outline, and the actual composition of the stories was handled by a
stable of penny-a-word freelancers. And the books were regularly
revised over the decades -- initially to "update police methods," but
also to excise racism and other no longer appropriate attitudes, and
to modernize the slang, the car terminology, etc. (When I started
reading the Hardy Boys in 1959, I had no idea what a "roadster" was --
still don't --, and I rather doubt that that word appears in current
printings of the early books in the series.)
I found a copy of Weingarten's 1998 article on the author of *many* of
the Hardy Boys books.
http://tinyurl.com/a4qjq
I think it's a legitimate article, and not "pranking." See what you
think.
Except on the _very_ remote chance that he's deliberately producing
bad writing in homage to Mr McFarlane, I can't believe that this guy
has a weekly column in the Washington Post Magazine -- and now a
Pulitzer Prize.
21 books in 21 years still isn't "many"! And he was only one of many
hacks turning out stories for Stratemeyer -- I also read the Rick
Brant series, and there were others I didn't look at.
Did Mr Weingarten not even _try_ to unearth a piece of McFarlane's
serious work, to see if he was any better at that?
... And a fairly recent work on the Hardy Boys series notes that the
revisions (which he says began in 1959, so my first 10 or more books
must represent the original texts -- those would be the ones bound in
gray cloth with jackets, as opposed to the ones with blue spines and
the illustrations printed on the cover) not only took out the racist
and sexist attitudes, but also any syntactic complications. 10-year-
olds today are not supposed to be able to read such complicated prose.
I remember them being 18 and 17, not 16 and 15, especially since they
were driving all over the place. |
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