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Hobby Forum Index » Music - Compose » Film Score Manuscript Question...
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| The Scarlet Parsnip... |
Posted: Sat Jul 05, 2008 1:08 pm |
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On Sat, 5 Jul 2008 00:20:44 -0700 (PDT), Tall Guy
<chris.robinson666 at (no spam) ntlworld.com> wrote:
Quote: On Jul 4, 5:20 pm, Thanatos <atro... at (no spam) mac.com> wrote:
In article <cqhs64dgap98jik959pjjsh57uau4cm... at (no spam) 4ax.com>,
Danny Schorr <. at (no spam) .> wrote:
I have to say, having perused several film scores by various composers--
Williams, Goldsmith, Horner, etc.-- these guys may be geniuses as
composers but their handwriting is atrocious. They must drive their
orchestrators nuts, especially considering the time pressures involved
with film music.
The very best, of course, orchestrate(d) their own music...
Korngold, who was the very best, often did not have the time so had to
rely on the help of others.
You tall poop, you. |
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| Peter T. Daniels... |
Posted: Sat Jul 05, 2008 1:46 pm |
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On Jul 5, 5:42 pm, "Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com>
wrote:
Quote: On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp? Or are there numbers in parentheses
between bars to indicate how many times he wants this figure to
repeat?
But you wouldn't indicate that with "bis"; you'd indicate that with
the "repeat the bar/figure/vamp" sign, which is a raised dot, a slash,
and a dot on the line (like a tilted "divided by" sign), in each
repeated bar -- you can repeat a two-bar figure by putting that mark,
with two slashes, across a barline.
Quote: This is a shorthand Goldsmith used for his copyist. It really doesn't
matter how it looks on the score as long as it's right in the part for
the recording session!
Hope this helps.
I have a copy of Jerry Goldsmith's handwritten score to ALIEN and
there's a recurring bit of notation that I can't figure out. Wondering
if anyone knows what it is.
I scanned example and posted it here:
http://homepage.mac.com/btr1701/PhotoAlbum14.html
It's the harp line below the percussion which is enclosed in what look
like repeat brackets with a large B|S in the middle of it. It's not a
repeat-- none of the other instruments are repeating those two
measures-- and I've never seen B|S notated in a score before. This sort
of thing occurs in various places for various instruments throughout the
score.- Hide quoted text -
- Show quoted text - |
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| Steve Latham... |
Posted: Sat Jul 05, 2008 6:14 pm |
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"Thanatos" <atropos at (no spam) mac.com> wrote in message
news:atropos-5750BB.12293204072008 at (no spam) news.giganews.com...
Apparently Ridley Scott decided that the temp music fit the
Quote: scene better than what Goldsmith eventually wrote for the movie so he
bought the rights and kept it in
Sounds like Ridley Scott was trying to pull a little Kubrick there.
Steve |
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| Steve Latham... |
Posted: Sat Jul 05, 2008 6:18 pm |
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"J. Van Thuyne" <jethro.van.thuyne at (no spam) gmail.com> wrote in message
news:15e1af54-3105-4a51-98d3-3980928cb73f at (no spam) j22g2000hsf.googlegroups.com...
Quote: On 4 jul, 17:53, "Steve Latham" <llat... at (no spam) verizon.net> wrote:
I think it is probably "Bis" though, which means repeat - I think the
word
literally translates from German to "twice". Though I imagine with film,
and
the need to stretch or condense passages to fit timings, it could mean
"repeat until next cue" or something to that effect.
For what it's worth: "bis" exists in German, but means "until". The
"bis" meaning "twice" is Latin. So, this is indeed a very nice
explanation: repeat (e.g. twice, 'bis') until ('bis') the next cue.
...
I guess I need some sleep.
Thanks for the correction though.
Steve |
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| Thanatos... |
Posted: Sat Jul 05, 2008 6:57 pm |
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In article
<268ce176-ce99-455c-b4e3-94be0d2481bd at (no spam) 34g2000hsf.googlegroups.com>,
El Klauso <ChasJKlaus at (no spam) aol.com> wrote:
Quote: Just to back up the observations of Thanatos on Goldsmith's score for
"Aliens," I interviewed JG more than a decade after the Ridley Scott
switcheroo episode, and he was still smarting from it.(But - typically
- Goldsmith expressed it in the most professional and understated
manner.) He mentioned the 'premiere surprise' as well as the various
patches and substitutes - not only the "Freud" track but also the
Hanson "Romantic" Symphony addition - as substitutions caused by last-
minute editing decisions on the part of the director.
A bit of speculation In Scott's defense - He was probably working like
a maniac to get the film in release shape at the behest of the studio
suits, and didn't feel that he had time to go back to Goldsmith for a
scoring edit job. Scott did go out of his way to praise Goldsmith's
score in his commentary on an "Alien" DVD release, so he doubtless
recognized A.) He had wronged Goldsmith and B.) Goldsmith was a
superior grade musical talent. It's a shame that no amended
'Director's Cut' of "Alien" has emerged with the right Goldsmith music
in all the intended placements.
I agree. I'd love to see the movie with the music as intended. I also
think Goldsmith original Main Title works much better than the
minimalist music in the film, with its hooting and moaning. Scott didn't
like the lush strings and major-chord harmonies of Goldsmith's first
version and asked him to completely re-do it, which he did, grudgingly.
I also wish the studios would professionally publish some of these
scores and offer them for sale. There's a *huge* market for them. I'd
kill to have the complete hardcopy score to "Raiders of the Lost Ark" or
"Empire Strikes Back". And it's not like keeping these things locked
away in a vault somewhere is making them any coin. |
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| Thanatos... |
Posted: Sat Jul 05, 2008 7:02 pm |
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Guest
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In article
<5bbc0644-b883-4671-a62d-3c66d6cf2705 at (no spam) d45g2000hsc.googlegroups.com>,
"Beth/David (26D)" <dshermanmusic at (no spam) nyc.rr.com> wrote:
Quote: On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
Yeah, I've seen those in this score, too, and I know what they mean.
This is evidently something different.
Quote: What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp?
Yes, as a matter of fact, they are. Although it's hard to tell what that
means in this case, since Goldsmith doesn't write in full measure rests.
If an instrument isn't playing in a particular passage, he leaves the
measures blank as a matter of course (probably because writing rests by
hand is tedious), so I don't know if the measures are blank because the
harp is resting following the Bis or if the Bis indicates that the harp
should be repeating those measures in the blank spaces. |
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| Thanatos... |
Posted: Sat Jul 05, 2008 8:18 pm |
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Guest
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In article
<f34baeed-d500-4348-9356-2ec40a53b5ad at (no spam) c65g2000hsa.googlegroups.com>,
"Peter T. Daniels" <grammatim at (no spam) verizon.net> wrote:
Quote: On Jul 5, 5:42 pm, "Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com
wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp? Or are there numbers in parentheses
between bars to indicate how many times he wants this figure to
repeat?
But you wouldn't indicate that with "bis"; you'd indicate that with
the "repeat the bar/figure/vamp" sign, which is a raised dot, a slash,
and a dot on the line (like a tilted "divided by" sign), in each
repeated bar -- you can repeat a two-bar figure by putting that mark,
with two slashes, across a barline.
Anyone happen to know how to make that symbol with the Finale software? |
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| Mike A... |
Posted: Sat Jul 05, 2008 9:50 pm |
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"Thanatos" <atropos at (no spam) mac.com> wrote in message
news:atropos-3B6D3E.21184605072008 at (no spam) news.giganews.com...
Quote: In article
f34baeed-d500-4348-9356-2ec40a53b5ad at (no spam) c65g2000hsa.googlegroups.com>,
"Peter T. Daniels" <grammatim at (no spam) verizon.net> wrote:
On Jul 5, 5:42 pm, "Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com
wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp? Or are there numbers in parentheses
between bars to indicate how many times he wants this figure to
repeat?
But you wouldn't indicate that with "bis"; you'd indicate that with
the "repeat the bar/figure/vamp" sign, which is a raised dot, a slash,
and a dot on the line (like a tilted "divided by" sign), in each
repeated bar -- you can repeat a two-bar figure by putting that mark,
with two slashes, across a barline.
Anyone happen to know how to make that symbol with the Finale software?
In Finale PrintMusic ...
Select the Staff tool.
Select the measure you want the symbol to appear in.
Click Staff > Apply Alternate Notation > One-Bar Repeat; click OK |
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| Thanatos... |
Posted: Sat Jul 05, 2008 11:30 pm |
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Guest
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In article <aqWbk.98029$102.65708 at (no spam) bgtnsc05-news.ops.worldnet.att.net>,
"Mike A" <MikeA at (no spam) ...> wrote:
Quote: "Thanatos" <atropos at (no spam) mac.com> wrote in message
news:atropos-3B6D3E.21184605072008 at (no spam) news.giganews.com...
In article
f34baeed-d500-4348-9356-2ec40a53b5ad at (no spam) c65g2000hsa.googlegroups.com>,
"Peter T. Daniels" <grammatim at (no spam) verizon.net> wrote:
On Jul 5, 5:42 pm, "Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com
wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp? Or are there numbers in parentheses
between bars to indicate how many times he wants this figure to
repeat?
But you wouldn't indicate that with "bis"; you'd indicate that with
the "repeat the bar/figure/vamp" sign, which is a raised dot, a slash,
and a dot on the line (like a tilted "divided by" sign), in each
repeated bar -- you can repeat a two-bar figure by putting that mark,
with two slashes, across a barline.
Anyone happen to know how to make that symbol with the Finale software?
In Finale PrintMusic ...
Select the Staff tool.
Select the measure you want the symbol to appear in.
Click Staff > Apply Alternate Notation > One-Bar Repeat; click OK
Whoo-hoo! Thanks. I love the software but some of its features are quite
well hidden and the user's manual isn't exactly the most intuitive thing
in the world. |
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| Peter T. Daniels... |
Posted: Sun Jul 06, 2008 1:59 am |
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On Jul 6, 5:54 am, "Keith Edgerley" <edgerley... at (no spam) bluewin.ch> wrote:
Quote: "Thanatos" <atro... at (no spam) mac.com> wrote in message
news:atropos-BC0A78.20023505072008 at (no spam) news.giganews.com...
In article
5bbc0644-b883-4671-a62d-3c66d6cf2... at (no spam) d45g2000hsc.googlegroups.com>,
"Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com> wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
Yeah, I've seen those in this score, too, and I know what they mean.
This is evidently something different.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp?
Yes, as a matter of fact, they are. Although it's hard to tell what that
means in this case, since Goldsmith doesn't write in full measure rests..
If an instrument isn't playing in a particular passage, he leaves the
measures blank as a matter of course (probably because writing rests by
hand is tedious), so I don't know if the measures are blank because the
harp is resting following the Bis or if the Bis indicates that the harp
should be repeating those measures in the blank spaces.
If you look at the bottom of the page, you will see bars 59 and 60 are
bracketed, suggesting that the BIS refers to the whole instrumentation of
that passage and is just placed squarely in the middle of the page.
Bars 61 ff. then follow on.
Although bis means twice, I should think that here it is probably used to
mean repeat as required depending on timing.
Then why wouldn't he have said "Vamp till ready"? |
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| Nicolai P. Zwar... |
Posted: Sun Jul 06, 2008 4:35 am |
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Thanatos wrote:
Quote: I agree. I'd love to see the movie with the music as intended.
That would be great. They did it with Jerry Fielding's score for GETAWAY.
At least the ALIEN DVD (not the latter so called "director's cut") does
have an isolated score track.
Quote: I also
think Goldsmith original Main Title works much better than the
minimalist music in the film, with its hooting and moaning.
I have to disagree there. Goldsmith's re-done Main Title also works
extraordinarily well, the scene is among my favorite Main Title sequences.
I know Goldsmith didn't care all that much for his redone Main Title
himself, but it's truly creepy space music. I like both Main Titles; hard
to say which I like better, but it's not necessarily Goldsmith's first one.
--
Nicolai P. Zwar
http://www.nicolaizwar.com |
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| Keith Edgerley... |
Posted: Sun Jul 06, 2008 4:54 am |
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Guest
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"Thanatos" <atropos at (no spam) mac.com> wrote in message
news:atropos-BC0A78.20023505072008 at (no spam) news.giganews.com...
Quote: In article
5bbc0644-b883-4671-a62d-3c66d6cf2705 at (no spam) d45g2000hsc.googlegroups.com>,
"Beth/David (26D)" <dshermanmusic at (no spam) nyc.rr.com> wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
Yeah, I've seen those in this score, too, and I know what they mean.
This is evidently something different.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp?
Yes, as a matter of fact, they are. Although it's hard to tell what that
means in this case, since Goldsmith doesn't write in full measure rests.
If an instrument isn't playing in a particular passage, he leaves the
measures blank as a matter of course (probably because writing rests by
hand is tedious), so I don't know if the measures are blank because the
harp is resting following the Bis or if the Bis indicates that the harp
should be repeating those measures in the blank spaces.
If you look at the bottom of the page, you will see bars 59 and 60 are
bracketed, suggesting that the BIS refers to the whole instrumentation of
that passage and is just placed squarely in the middle of the page.
Bars 61 ff. then follow on.
Although bis means twice, I should think that here it is probably used to
mean repeat as required depending on timing.
Keith Edgerley |
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| ... |
Posted: Sun Jul 06, 2008 6:32 am |
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Guest
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On Jul 5, 8:02 pm, Thanatos <atro... at (no spam) mac.com> wrote:
Quote: In article
5bbc0644-b883-4671-a62d-3c66d6cf2... at (no spam) d45g2000hsc.googlegroups.com>,
"Beth/David (26D)" <dshermanmu... at (no spam) nyc.rr.com> wrote:
On Jul 4, 11:23 am, Thanatos <atro... at (no spam) mac.com> wrote:
It definitely means repeat. I could mean repeat the first measure in
the second measure, but that would only cll for a sign that looks like
a percentage symbol: % (except with dots instead of circles.
Yeah, I've seen those in this score, too, and I know what they mean.
This is evidently something different.
What I think you have here is a 2 measure phrase that the composer
wished to repeat a few times. If you look ahead in the score, are the
next measures blank in the harp?
Yes, as a matter of fact, they are. Although it's hard to tell what that
means in this case, since Goldsmith doesn't write in full measure rests.
If an instrument isn't playing in a particular passage, he leaves the
measures blank as a matter of course (probably because writing rests by
hand is tedious), so I don't know if the measures are blank because the
harp is resting following the Bis or if the Bis indicates that the harp
should be repeating those measures in the blank spaces.
What I think the blank measures mean is that the 2 bar phrase in
question shoud be repeated until further instruction (like a rest or
other notes.) Again, this is the composers shorthand so the copyist
(who probably worked on dozens of Goldsmith scores) can get the right
music on the parts. It doesn't matter what the score looks like.
I can say from experience that sometimes composers and copyists have
such a long relationship that the copyists knows what the composer
means even if he doesn't notate it exactly correct. I wouldn't
recommend doing that with a copyist you've never worked with before.
Back in the days before Finale, I had to rush my charts to the copyist
before the recording sessions - usually in a sleep deprived stupor!
The copyist also was my proof reader and editor. He knew my style
well enough that he could spot problems quickly and get me on the
phone to ask for a clarification. Sometimes I stayed right there in
his apartment and got a few minutes of sleep on his couch while he
copied. He'd wake me if there was any problems.
For larger projects like film or Broadway (pre Finale,) the "copyist"
was an office with long tables with people with pens in their hands
scribbling away. The smell of ammonia permeated the air due to the
Diazo machine in the room (long story how they used to print music,)
and sometimes there was a transistor radio set to something like a
news station (never music,) and each copyist sat under their own
fluorescent light with a copy of the score. If the schedule was more
leisurely, the copyists could work from home. But if there was a
premier, opening, or concert the next day, or producers were calling
with changes in the score, everyone camped out in the office.
These copyist sessions were usually booked days to weeks in advance.
When the composer came in with a score, the first thing they did was
make a bunch of copies. The composer then took his original copy home
and was instructed to sit by the phone (this is also in the days
before cell phones - if you needed to go somewhere, you called the
copyist and left the phone number where you'd be. "BRING YOUR
SCORE!!" the copyist would yell just before getting off the phone.
Often when you got to where you were going the first thing someone
would say when you walked in the door was, "Your copyist called."
Anyway, that's how music got done back in the day. The point was not
so much writing a beautiful score as it was getting enough information
to the copyist so they could put the right notes in the right places
for the recording session.
Didn't mean to bore you. Just thought you'd be interested. |
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| Thanatos... |
Posted: Sun Jul 06, 2008 7:15 am |
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In article <op.udu59lrbf2mqyt at (no spam) nostromo>,
"Nicolai P. Zwar" <NPZwar at (no spam) bigfoot.com> wrote:
Quote: Thanatos wrote:
I agree. I'd love to see the movie with the music as intended.
That would be great. They did it with Jerry Fielding's score for GETAWAY.
At least the ALIEN DVD (not the latter so called "director's cut") does
have an isolated score track.
I also
think Goldsmith original Main Title works much better than the
minimalist music in the film, with its hooting and moaning.
I have to disagree there. Goldsmith's re-done Main Title also works
extraordinarily well, the scene is among my favorite Main Title sequences.
I know Goldsmith didn't care all that much for his redone Main Title
himself, but it's truly creepy space music. I like both Main Titles; hard
to say which I like better, but it's not necessarily Goldsmith's first one.
I just think the first version would have served as more of a contrast
for what was to follow. The re-done version kinda shows all its cards
upfront, so to speak. |
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| The Scarlet Parsnip... |
Posted: Sun Jul 06, 2008 10:43 am |
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On Sun, 06 Jul 2008 11:35:35 +0200, "Nicolai P. Zwar"
<NPZwar at (no spam) bigfoot.com> wrote:
Quote: Thanatos wrote:
I agree. I'd love to see the movie with the music as intended.
That would be great. They did it with Jerry Fielding's score for GETAWAY.
At least the ALIEN DVD (not the latter so called "director's cut") does
have an isolated score track.
I also
think Goldsmith original Main Title works much better than the
minimalist music in the film, with its hooting and moaning.
I have to disagree there. Goldsmith's re-done Main Title also works
extraordinarily well, the scene is among my favorite Main Title sequences.
I know Goldsmith didn't care all that much for his redone Main Title
himself, but it's truly creepy space music. I like both Main Titles; hard
to say which I like better, but it's not necessarily Goldsmith's first one.
Nici, you webbed toe wonder, how nice to see you again. Take your
hand off my knee.
I agree with your disagreement of the other persons agreement (who's
on first). The second version of ALIEN's opening sequence if better
and suits the mood EXACTLY. One of the few times that Scott knew what
he was talking about with a soundtrack. It is spooky as all get out,
not some big TA DA THIS IS A SCI FI FILM, but more intimate and close
as it takes you deep into the confines of 'something nasty is ahead."
I'm content with Alien as is... right down to Hanson's Romantic
Symphony at the very end. Always have been. That music was such a
burst of emotional release and comfort much needed afer going through
what ws probably the last REALLY scary movie made in the last few
decades. |
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